Music Is Not for Insects

The best part about being a musician is that you’ll never be perfect…there’s always something to learn. The worst part about being a musician is that you’ll never be perfect…there’s always something to learn.

Over at mustech.net, Joe Pisano just returned from PMEA and posted the following sentiment he over heard from fellow music educators:

Students are given a trophy for everything they do. They expect to be rewarded for simply participating in something. It’s all part of the “I’m o.k., you’re o.k.” culture… I think it’s a “dumbing down” of the perception of excellence. This is why I am such an advocate of “getting beyond the four walls of your school and classroom”. Students in music MUST be exposed continually to people, groups, and ensembles that perform music excellently. Too often a student is told they are good at something (in our case -music) and they go through life under a false pretense. Encouragement is needed at all times to truly strive for “better”, BUT they must have a reference to what “BETTER” is! Don’t believe me on this one? Tune in to the auditions at American Idol.

How do we get our kids thinking about excellence? Or how do we teach our students to be realistic about their ability? When do we learn how to evaluate, change and grow as musicians? Can we be critical of our own performance as musicians, yet remain sane in the process?

All of this got me thinking about my teaching with beginning musicians, particularly instrumentalists. From day one in my classroom, I strive to create an environment where students can risk big, feel rewarded, and act responsibly. I believe this creates a framework for students to strive for excellence and honestly evaluate their progress.

From day one in the beginning group lesson, I introduce the concept of risk by insisting that everyone must feel safe when they perform for each other with some simple rules:

• Play with courage.
• Play with understanding.
• Be patient with others and yourself.
• Know you can ask for help at anytime.

As kids progress, they know they will be rewarded daily, weekly and monthly by:

• Constant encouragement.
• Being highlighted in “The Podcast of the Week”
• Being chosen as a soloist in an upcoming concert.
• Getting a medal or certificate at the end of the year for completing achievement lines.

These may not be new ideas to anyone in music education, but it’s the last “R” of responsibility that I think often gets overlooked in our teaching.

Let me try to explain by giving you a “sample” transcript of what you might hear during a lesson in my classroom:

T: Ok, who is ready to play for me #43 on page 10? This was your assignment for today’s lesson…

S: I’m ready!

T: All right. Lucy, please begin when you are ready…

[Lucy plays but doesn't quite get the rhythm right in the last measure...]

T: Thank you…now, did you play that without any mistakes?

S: No.

T: Good! That’s right. Where did you have a problem?

S: I think I made a mistake in the last measure…uh…with the counting?

T: Yes. That’s right. [addressing the rest of the class now..] The good news is she can now fix it…[with humor] or should we kick her out of the band? Of course not! How about this…does anyone have any tips for Lucy on how she can get the rhythm correct in that last measure?
-end transcript-

I really encourage my instrumental students to be honest and objective about their playing by constantly asking questions about what they are hearing and to immediately assess their performance with the help of others or by listening to recordings of their playing. I often make a big deal and applaud students when they can identify a mistake they have made after playing something. I say “if you can hear your mistakes, you can fix them.” This encourages them to take responsibility for their playing and growth as a musician. Assessment and especially self-assessment in instrumental music is a process of learning how to evaluate, reflect and change one’s practice.

How does this relate to kids understanding the difference between an excellent performance and something that is mediocre? If we can instill in our students from the very beginning that excellence is a journey, they will come to realize that the joy in learning to play an instrument, or sing, is akin to the first part of the quote at the top of this post: “The best part about being a musician is that you’ll never be perfect…” and the journey never ends.

It’s our job as music educators to give them the proper tools and perspective for the journey. Let me know how you make that happen with your students.

Thanks to Matthew Needleman and his latest posts about differentiation for the inspiration behind today’s post. This combined with my use of Garageband in the music curriculum made for a great part 2 to my post about enhanced podcasts.

*NOTE: my apologies to those of you reading my blog in a feed reader. I have noticed that when I post podcasts and other media into an edublogs post, it doesn’t show up in Google Reader and you may need to follow a link to my blog to see the posted item.

INTRODUCTION-

As a music specialist, the challenge to create differentiated lessons for grades K-5 can be daunting. On some days I have seven preps and using technology with a seventeen year old general music curriculum is a trick.

Here is a general music lesson from the popular “World of Music” curriculum published by Silver Burdett & Ginn that I differentiated across several grade levels (citations are at the end of the post). Using Garageband, you can easily enhance and update a music listening lesson with an audio-visual component for today’s digital learners.

THE LESSON-

We start with a second grade listening lesson that uses a chart with pictures to help students follow along with a wild Shostakovich “Polka”:

Using a digital camera, I imported the pictures from the textbook into Garageband along with an mp3 of the music to create an enhanced podcast with pictures that would appear as the music was being played:

LET’S DIFFERENTIATE-

Here is where the differentiation comes in: for Grade 1, I play the Garageband project with the pictures and a “call” track I created announcing the instruments as they appear:

Click the “audio mp3″ box below to hear how this sounds:
Polka with call track

For Grade 2, we use the student text to follow along with the music; and then we play the Garageband project that looks and sounds like this below:

grade2polkalesson.m4v

For Grades 3-5, we can start having kids choose pictures as they listen to the music and drag them into a podcast track with markers:

Or differentiate even further by giving students a podcast track with no markers:

Another lesson using the same “Polka” appears in a Grade 3 listening chart with more sections and different pictures to represent the music:

Here is what that lesson looks and sounds like using more detailed descriptions:

grade3polkapodcastwmarkers.m4v

FINAL THOUGHTS-

I hope you can see how it is possible to take a typical listening lesson and use Garageband to create a visual and audio experience for general music students. Most of our kids find it hard to listen to extended periods of music. A visual component may provide the interest needed for an extended piece of music. Differentiating the lesson with various levels of participation from grade level to grade level is also achieved. My fifth graders actually create a listening lesson for my younger students using this process by choosing their own music and pictures.

Citations for textbooks:
World of Music Grade 3- (green book)
Listening Guide #4
“Pizzicato Polka” from Ballet Suite No. 1
Palmer, Mary. World of Music. Morristown: Silver Burdett & Ginn, 1991.

World of Music Grade 2- (red book)
Polka page 102 Listening Chart
Palmer, Mary. World of Music. Morristown: Silver Burdett & Ginn, 1991.

Citation for muisc:
“Polka” from the ballet The Golden Age by Dimitri Shostakovich

Related Posts:

Enhanced podcasts with Garageband: part 1

Getting your Garageband podcasts to work with Edublogs and other video hosting sites

Garageband Tip01 of several: Burn to CD without using share to iTunes

“Not that loop again, and again…”: Using Garageband responsibly to create music for your digital projects.

Garageband Tip: Musical Typing

Enhanced Podcasts with Garageband are a powerful way for you or your students to create some projects that are rich with content. Here is a quote from the Apple web-site:

Enhancing Your Podcast Episode with Artwork and Chapters

Podcasts are about more than just audio. You can also include artwork and links to websites to enrich the meaning of your content. And you can create chapters so your audience can move between the sections of your episode.

Below is an example of an Enhanced Podcast I created. Watch it one time straight through (it’s less than 30 seconds);

then watch it again and pause along the way to access links or move between chapters and see how an Enhanced Podcast described above looks and feels.

enhanced-podcast.m4v

Since Garageband podcasts are optimized for viewing in iTunes, Enhanced Podcasts with links to websites and chapters will look different when uploaded as m4v files (see my post on how to do this). Here are some screen shots comparing an Enhanced Podcast in iTunes and the one above embedded into Edublogs.

First, a screen shot from iTunes.

And here is what the links look like when uploaded and embedded as an m4v file:

Either way, when you click on the link in iTunes or an m4V file, if you are connected to the internet, your browser will open and take you to the web-site you have designated.

Here’s how chapters look in an Enhanced Podcast in iTunes:

Chapters in m4v files look different:

Chapters allow you to go to a specific sections in your podcast. Very handy for a long podcast that needs some indexing.

A final note about appearance: with Garageband, any artwork you have loaded into your podcast track will look “normal” when played back or “shared” out to iTunes. For some reason, when you upload a podcast as an m4v file here in Edublogs, the pictures are a bit “distorted” or may look slightly pixelated.

I have been able to upload Garageband podcasts to Ourmedia.org without this problem. See my Enhanced Podcast here without distortion:
Enhanced Garageband Podcast

More about video sharing sites and podcasts in Part 2…

Related Posts:
Getting your Garageband podcasts to work with Edublogs and other video hosting sites

Garageband Tip01 of several: Burn to CD without using share to iTunes

“Not that loop again, and again…”: Using Garageband responsibly to create music for your digital projects.

Garageband Tip: Musical Typing

Check out the great free tools for music educators at PracticeSpot
(the Manuscript Genie is worth the price of admission alone….FREE!)

Here is a sample list and description of what you’ll find

Music Crosswords
PracticeSpot’s crossword collection - all dedicated to the subject musicians know best

Chord Wizard
Decode any chord, any time, anywhere in any key. Gb Minor Major 7th with added 13th? No problem.

Practice Spot’s Manuscript Genie
Infinite supply of free manuscript paper, in a variety of sizes.

Sight Reading Chef
Randomly generated sightreading sheets, so you never know what you’ll get

Scales Chef
How scales manuals should be - filled only with the scales you ask for

Rhythm Gym
Randomly generated sightreading sheets, so you never know what you’ll get

PracticeSpot’s Theory Sheet Center
The web’s largest collection of free printable theory sheets.

Photo Source: linlin (back now)

I want to call your attention to a great article I found on the internet about kids and practice. Here is the link:
Mom, I don’t WANT to practice!

I strongly encourage you to read it, but I will highlight some of the key points below:

“…When a child starts to learn an instrument, the experience is often treated as the new adventure it is; but after the first few weeks or months, the novelty can wear off and the child becomes distracted by other attention-grabbers like TV shows, playing with friends, and other things that don’t require sitting for 20-30 minutes for concentrated practice.”

Hints to Survive Practicing

1) Try breaking up the practice time into two segments each day. Have your child practice for 10 minutes before school and 10 minutes after dinner.

2) Come up with an incentive such as a quarter in a jar every time they practice. At the end of two weeks, let them spend their money at a store or to treat themselves to a fast food goodie.

3) Sit with your child during practic
e time. Not only is this a great time to learn with them, but it keeps them on track.

4) Have your child give you a concert at least once a month. Nothing builds up a child’s confidence and makes him or her feel like an accomplished musician like having Mom and Dad or Grandma and Grandpa there as an audience. Plan the “concert” ahead of time and tell your child that they need to practice their lesson and then pick out four of their favorite songs to play for their big day.

5) Balance out practice time with a fun activity. Practicing DOES NOT have to be just playing your songs 3-5 times each. Integrate music flash cards, a book from the library about music, listen to some sort of classical or jazz music with your child and talk about the instruments you hear.

6) Let your child be the teacher for 10 minutes of practice time. Have them give YOU a mini lesson. You’d be surprised what you can learn from that little one!

7) DO NOT make practice time a yelling match or struggle of wills. There ARE times when kids just need a break from the daily routine, but let them know that that break is for one day only and the next day they will have to add some time on to makeup for their missed practice the day before.

Teaching them commitment and following through: Developing a consistent routine for practicing teaches your child that once they start something, they need to see it through even if it’s just for a given amount of time.

The BEST piece of advice I can give all parents is to stick with it. Be there to reinforce good practice habits. As teachers, we can only do so much reinforcing. It’s best to work as a team to help your child develop their talents and gifts. Praise them often even when they hit a few clinker notes.